2013/05/24

Screen Grabs: From Above by Rebecca A. Senf

iPad (iBooks) screen grabs of page 1 and 31 of "From Above". Click to enlarge.


Format: Ebook compatible with multiple devices

Price: Free

Links: Hol Art Books and Phoenix Art Museum

Comment: Exhibition catalogue for the show "From Above, Aerial Photography from the Center for Creative Photography" at the Phoenix Art Museum.

FYI: The exhibition is open until September 22, 2013.

2013/05/20

Screen Grabs: NYLPT by Jason Evans









The images above are iPhone screen grabs.


Format: App for iPad and iPhone

Price: $5.99

Links: iTunes and MAPP Editions

2013/04/30

Screen Grabs: Shashasha / Fragments by Daido Moriyama







iPad screen grabs of the Shashasha app and its in app purchase "Fragments" by Daido Moriyama.


Format: iPad app (apps for iPhone, Android and a web application are under consideration.)

Price: Free app / In app purchases are $0.99

Links: iTunes and Shashasha

2013/04/22

Remix PDF



iPad screen grabs of "Remix". Photo from Byron Wolfe's "Everyday".


I recently asked some publishers if I could use screen grabs of their digital photobooks in a slideshow. The idea was to make a remix edit, placing the books in new and different contexts beside each other. Creative editing for me, and a way to promote some digital books. Instead of making a slideshow I decided that making a PDF was better. Look at your own pace or as a slideshow. It's also the way I edit/showcase some of my own projects.

Thanks to the publishers/artists who agreed. Titles included:

As it is again by JoAnn Verburg (Location Books)
Same Same by John Vink (4Rivers)
Everyday by Byron Wolfe (One Tree Press)
DPR House, MCK Architects by Outcast Editions (Outcast Editions)
Ken Schles: A Digital Resource by The Photobook Club (The Photobook Club)
Bronx Boys by Stephen Shames (FotoEvidence)
Psychometry by Carol Golemboski (Carol Golemboski)
Random Strangers by John Ryan Brubaker (Turn Out Press)
Maps for Getting Lost by John Ryan Brubaker (Turn Out Press)
Untitled by Larry Clark (Nieves)


Remix

1496 x 2048 px pdf, 26 pages, 23 photos.

Download (16 mb)

The PDF's size is optimized for viewing on the iPad with iBooks.

2013/04/09

The Afronauts by Cristina De Middel - Preview and book/app comparison


I've been able to preview the upcoming "The Afronauts" App by Cristina De Middel and Ubicuo Studio for two days. The book the app is based on got a lot of attention, sold out quickly and is now out of reach for most people. Cristina didn't want to print a second edition of the book, and instead decided to make an app to make the work more accessible.

Many are familiar with the book so I decided to post some comparison samples between the book and the app.
As you can see, the book is on the left and the app to the right. Two of the images to the right features two images/pages of the app, and are divided by a thin black line. Click the photos to enlarge.
I would like to thank Tom Claxton of Claxton Projects for letting me use his beautiful photos of the book.

The app will be compatible with both iPad and iPhone, and will launch on April 17th costing €5.99.












Photos of the book © Claxton Projects. Photos of the app are iPad screen grabs.

2013/04/03

Carol Golemboski's Psychometry clamshell box










Carol Golemboski recently released the Psycometry iPad App. She has also produced a custom clamshell box to fit an iPad with the app installed. Below she explains the idea behind it.

"I had an idea to create a “traveling iPad” that I could load with the Psychometry app and send to galleries for display. It also serves as a good vehicle to introduce the app at art fairs such as the AIPAD Show at the Park Avenue Armory in New York, where it will be on display in the Robert Klein Gallery booth from April 4th-7th.

The box is designed to resemble a beautiful clothbound book when closed, and allow viewers to experience the app when open. I came across the website of Kristin Dunn Bookbinding and Design and thought her “Portfolio Box for iPad” provided the perfect starting point. I worked with Roxanne Davison, lead designer at Brainchild Blueprints, to provide instructions for Kristin to create this custom clamshell box. It not only opens like a book, but can be propped up to view in an upright position. It was the perfect solution to link my digital photobook to a physical photobook."



About the App

Psychometry is an interactive artist’s book that entices viewers to explore the haunting imagery of photographer Carol Golemboski. This dynamic iPad app uses new media to illuminate Golemboski’s psychologically charged still life imagery. Interactive features highlight her unique darkroom process, which combines photography and drawing in ambiguous and provocative ways. Studio tours, location shots, essays, video interviews, and process demonstrations give viewers insight into the mind of the artist. This innovative app exemplifies the possibilities for artists and designers using the iPad platform as a vehicle for publishing interactive books.

2013/03/25

EPhotoBookList



























EPhotoBookList.com is a welcome addition. The need for a shop/library to sort and collect digital photobooks in one place has always been there. It was actually one of the reasons this blog was started. Searching for photography apps and ebooks online, or in the App Store and iBookstore, is like searching for a needle in a haystack. 

EPhotoBookList is still a very young website, but with more members, more listed publications and feedback from its users, I hope it can grow and improve.

2013/03/20

Five Questions to Jean-Michel Dentand of MAPP Editions


Hi Jean-Michel. You’re the Design Director of digital publisher MAPP Editions. Digital publishing is still a relatively new medium and my guess is that designers are coming from different backgrounds. What did you do before getting into app and ebook design?

One of my first jobs in London was designing books (incidentally it was with Michael Mack). I didn’t study design (I studied cinema), but since very I was young I’ve been into designing on a computer, playing with MacPaint, then Hypercard, Director and Quark. So I moved relatively quickly back from print to the web. Digital is my element.


MAPP Editions is working closely with book publisher MACK. Can you tell us a bit more about your cooperation?

To an extent MAPP is the digital arm of MACK – the publisher of both is the same person so the businesses share a vision in terms of their publishing programme and our studio includes some designers who work in both paper and digital.


iPad screen grab from "Figures & Fictions"


How important do you think knowledge and real insight in traditional book design vs digital design is when designing an ebook or app?

Ironically, what we could call traditional book design is already quite digital. Only the reader experience is not.

But it is important. I’m no traditionalist, but I think it’s important to understand the language of the printed book; it is rich with solutions that designers have developed over time, and it also shapes the current formats.

That said, digital brings another level of complexity, possibilities. And the language for this is still evolving.

The print design world has managed to develop easy to use tools (PageMaker, Quark and InDesign) that don’t have their equivalent in digital. I’m not even sure they ever will.


Digital publishing is quite complicated at the moment with various formats, platforms and devices. This is a problem because it makes very few digital books truly universal, and I guess it imposes design limitations as well. Would the ideal be online books adapted for tablets, or a solution like Zinio, that works on the computer and across many platforms and devices? What are your thoughts on these issues?

Tell me about it! I’m confronted with these limitations everyday; it’s exciting but also terribly frustrating. Ebook development feels like the web’s poor brother. They now share so much yet ebooks still suffer from a lot of the issues that used to plague the web not so long ago: compatibility, standards, big players imposing their business strategies.

Formats for text ebooks, the majority of all epublications, are reaching a certain maturity but formats for illustrated content have a long way to go.

So yes, an ideal solution would be a format/platform/service allowing the reader to view a publication in his or her chosen form, whether it be desktop/laptop/tablet/mobile/(google glass?), online/offline, synchronised.

It will come. This medium is still very young.


iPad screen grab from "War Primer 2"


There are lots of photographers and artists who can’t find a publisher for their project or are interested in self-publishing. Do you have any recommendations (formats, software, outlets etc.) for those who want to self-publish a digital photobook?

I’m probably not the best person to give advice on entry level tools. iBooks Author is probably the easiest solution. What comes out of it is a bit formulaic (it was developed for education, so the structure is not very flexible, and it’s got some cheesy effects). It also has some serious distribution constraints. And it’s iPad only. Blurb seems easy to use, but I haven’t played with it much. I’m looking forward to Hol Art Books Kickstarter project, it seems promising.

2013/03/04

Digital Photobook Advantages

As enthusiasts of photobooks we know that there's a huge desire to produce, own and collect them. Where does that leave the digital photobook? How can it attract artists and readers? Below are three examples of work that take advantage of the medium. Of course these categories can be, and are combined.


The Screen

The simple fact is: With the screen we can do things we can't do on paper, and that's something we should be excited about. It could be video, animations, interaction, distribution, updates, etc... you name it! To me, this is the most exciting category, because it makes creative use of the medium.

Examples: CCcell by Taiji Matsue and Via PanAm by Kadir Van Lohuizen


The Archive or Coffee Table Book

There's really no limit to how many images we can put in a digital book. Projects that would be too expensive to publish in book form, or would have to end up as huge and heavy coffee table books, can instead end up as handy and easily navigated digital books.

Examples: Everyday by Byron Wolfe and Personal Best by Elliott Erwitt


The Existing Photobook

Many digital photobooks already exist in physical form. The most exciting ones are often the ones that are based on books that are out-of-print. Publishing expensive and rare out-of-print books in digital form is a great way of making the work accessible to a wider audience.

Examples: Invisible City by Ken Schles and Sugimoto 1988 by Hiroshi Sugimoto